Recordings – January 10, 1929 through September 13, 1929

 


 

The dates when Bix Beiderbecke came in and out from the Rivercrest Sanitarium still remain unknown. We could not find any evidence, aural perception, or written document, which could make it possible to confirm Bix’s presence on the titles recorded by the Paul Whiteman Orchestra during that period. Recordings that were published are as follows:

 

COLUMBIA
Columbia, New York

PAUL WHITEMAN AND HIS ORCHESTRA

One thing we can be almost sure of: Bix was not in the recording studio on December 22, as “his” solo on Makin’ Whoopee was played by Mannie Klein.

 


 

100 – January 10, 1929                            

COLUMBIA
Columbia, New York

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 147750-2-  Chinese Lullaby  (Bowers-arr: Grofé)
solo: Cullen, muted-tb (28).

 


 

Paul Whiteman presents

 

BEE PALMER WITH THE FRANK TRUMBAUER ORCHESTRA

 

W 147770-2 – Don’t Leave Me, Daddy (Verges-arr: Challis-Hayton)
Sung by ‘Bee’ Palmer (16+64), with one Tram’s solo (32).

W 147771-1 – Singin’ the Blues (Robinson-Conrad-lyrics by Ted Koehler-arr :Hayton-Challis)
W 147771-3 – Singin’ the Blues (Robinson-Conrad-lyrics by Ted Koehler-arr :Hayton-Challis)
solo: ‘Bee’ Palmer, voc (48).                          

The orchestra plays an arrangement built on the saxophone’s solo created by Tram on February 4, 1927; this part is followed by ‘Bee’ Palmer singing on the melody of the same Tram’s solo, then ‘scat-singing’ on the solo played by Bix on the original recording. ‘Snoozer’ Quinn emphasized that Bix was attending this session, but the very few notes of cornet (or trumpet) that are played on Singin’ the Blues do not make possible any identification.

 


 

101 – January 24, 1929

 

BRUNSWICK
Brunswick-Balke-Collender Co.
Brunswick Building, 6th floor
623-633 South Wabash Ave.
Chicago, IL

 

RAY MILLER AND HIS ORCHESTRA

 

C 2857-A? – Cradle of Love  (Wayne-Gilbert)
C 2857-B? – Cradle of Love  (Wayne-Gilbert)
solos:  Spanier (16) – Nolan, voc (32) – Wallen or Fasthoff, tb (4) – Bix, derby mute ? (16) – Wallen or Fasthoff, tb (8).

 


 

102 – March 8, 1929

OKEH
Okeh, New York

FRANK TRUMBAUER AND HIS ORCHESTRA

 

W 401703-B – Futuristic Rhythm (McHugh-arr: Matty Malneck)
solos: Rank (intro 2) – Hayton (5) – Tram, voc (32) – Hayton (2) – Bix (16) – Rank (8) – Bix (8) – Friedman / Tram / Rank / Leibrook (1+1+1+1).

 

 

FRANK TRUMBAUER AND HIS ORCHESTRA

 

W 401704-D – Raisin’ the Roof (McHugh-arr: Matty Malneck)
solos: Secrest ? (8) – Malneck (4) – Malneck & Quinn (16) – Tram (16) – Friedman (8) – Tram (7) – Secrest ? (8) – Tram (1) – Malneck (1).    

One “alternate take” of Futuristic Rhythm and one of Raisin’ the Roof are said to have been recently discovered: they will published during Fall 2003 on a 5th volume of “Bix Restored”. This recording might help to confirm the identity of the cornet-soloist on the second number played that day.

 


 

103 – March 15, 1929

COLUMBIA
Columbia, New York

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148085-4 – Blue Hawaii  (Baer-Caesar-Schuster-arr: Grofé)
solos : Gaylord, Fulton (32) – Hall, g & ? string-g (16+8).

 

 

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148086-3    Louise  (Robin-Whiting-arr: Bargy)
solo : Crosby, voc (32) – Cullen (8) – Tram (4).

Bix was previously omitted for that number. Because of the “drive” given to the brass ensemble, his presence on this number ‘sounds’ however highly probable.

 


 

104 – April 5, 1929

COLUMBIA
Columbia, New York

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148183-3 – I’m In Seventh Heaven (DeSylva-Brown-Henderson-arr: Bill Challis)
solos: Bix, straight mute & Strickfaden, bar (16) – Hazlett, as (8+4) – Bix, straight mute & Strickfaden, bar (8) – vocal trio (32) –  Bargy & Hayton, p (16) – Dieterle (8).

 


 

105 – April 17, 1929

OKEH
Okeh, New York

FRANK TRUMBAUER AND HIS ORCHESTRA

 

W 401809-B – Louise (Robin-Whiting-arr: Malneck)
solos: Secrest & orch (8) – Ballew, voc (32) – Tram (16) – Friedman (8) – Secrest, leads (8) + Bix, high notes (4).

W 401810-C – Wait Till You See “Ma Chérie” (Robin-Whiting-arr: Malneck)
solos: Friedman (intro 4) – Malneck & Quinn (16) – Tram, Cms (16) – Rank (8) – Tram (8) – Ballew, voc & vln (32) – Bix, derby mute (4+4) – Friedman (8).

 

 

FRANK TRUMBAUER AND HIS ORCHESTRA

 

W 401811-C – Baby, Won’t You Please Come Home? (Warfield-Williams-arr: Malneck)
solos: Secrest (16) – Tram, voc & Bix, derby mute (16) – Tram, Cms (16) – Bix, derby mute (16) – Secrest, leads (16).

 


 

106 – April 25, 1929

COLUMBIA
Columbia, New York

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148184-8 – Little Pal (DeSylva-Brown-Henderson-arr: Grofé)
solos: Crosby, voc (32) – Hazlett (24).

 

 

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 98653-4 – Song of India  (Rimsky-Korsakov –arr: Bargy).
solo: Hazlett, cl (12).

 


 

107 – April 30, 1929                           

OKEH
Okeh, New York

FRANK TRUMBAUER AND HIS ORCHESTRA

 

W 401840-B – No One Can Take Your Place (Gilbert-Malneck-Signorelli-arr: Malneck)
solos: Tram (8) – Ballew, voc (32) – Bix, derby mute (8).

 

 

FRANK TRUMBAUER AND HIS ORCHESTRA

 

W 401841-C – I Like That (Hayton-Trumbauer-Kohler-arr: Hayton)
solos: Bix (8) – Hayton (5) – Tram (16) – Bix, derby mute (16) – Friedman (8) – Bix, derby mute (7) – Rank (4+4).

 


 

108 – May 3, 1929

COLUMBIA
Columbia, New York

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148407-4 – When My Dreams Come True (Irving Berlin-arr: Bargy)
solos: Margulis (16) – Tram, as (8) – Secrest (8) – Bargy (4) – Strickfaden, bar (4) – Bargy (4) – Strickfaden (4) – Fulton, voc (32) – Hazlett, bcl (16) – Tram, as (8).

 

 

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148408-4 – Reachin’ For Someone (Donaldson-Leslie-arr: Challis)
solos : Rank, tb (8) – Tram (16+8) – Crosby, voc (32) – Bix (8).

 

 

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148409-4 – China Boy (Winfree-Boutelje-arr: Hayton)
solos: Friedman, cl (16+8) – Tram (16+2) – Secrest (4) – Bix, derby mute (16) – Margulis (4).

 


 

109 – May 4, 1929

COLUMBIA
Columbia, New York

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148421-4 – Oh! Miss Hannah (Deppen-Hollingsworth-arr: Challis)
solos: Strickfaden (16) – Margulis (4) – Tram (16) – Crosby, voc (16) – Bix, Harmon mute (16) – Margulis (20).

W 148423-4 – Orange Blossom Time (Goodwin-Edwards-arr: Grofé)
solos: Strickfaden (32) – Crosby, voc (32) – Hazlett (8).

 


 

110 – May  16, 1929

COLUMBIA
Columbia, New York

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148422-8 – Your Mother and Mine (Goodwin-Edwards-arr: Bargy)
solos: Strickfaden (8) (8) – vocal trio (8) – Crosby, voc (8) – vocal trio (8) – Crosby (4) – vocal trio (4) – Tram (2) – Rank (8) – Hazlett (8) – Rank (8) – Hazlett (8) – vocal trio (12).   

 


 

111 – September 6, 1929                    

COLUMBIA
Columbia, New York

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148985-3 – At Twilight (Tracy-Pinkard-arr: Grofé)
solos: vocal trio (32) – Tram (8).

 


 

112 – September 13, 1929

COLUMBIA
Columbia, New York

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 148986-8 – Waiting at the End of the Road (Irving Berlin-arr: Grofé)
solos:  Margulis (4) – Crosby, voc (32) – Margulis (12) – Bix (8).

 

 

PAUL WHITEMAN AND HIS ORCHESTRA

 

W 149005-3 – When You’re Counting the Stars Alone (Russell-Rose-Murray-arr: Challis)
solos: Tram, as (16+8) – vocal trio (32) – Secrest (8).

 


 

Download PDF: DOWNLOAD